Visual direction for the Code 8 opening title sequence.

During my tenure at NEON, a magical project came our way. Together with Brothers and Sisters, we developed the narrative, art direction, and the post production process. I loved working on this. Neon is a great team.

A quick Job with the fine folks at Tweed. It's weird being able to make cannabis commercials now. What a world we live in.

Together with Jam3 we set out to create the opening sequences for the Dunkirk WebVR experience. 

Collaborating with Tendril on their network rebrand of BIS, I was asked to choreograph the ID stings.

Istic illic produces feature films driven by an independent artistic vision with human-centered themes.

Jam3 offered to pool and share resources along with support from a dream team during their summer R&D cycle. This could not have happened without their gracious support.

What follows is the development process of the projection brush system we developed using Derivatives Touchdesigner. It is one component to a much larger experience I hope to further develop.

A special thanks to the Touchdesigner online community. Your willingness to share techniques and ideas helped us during those long late nights working out bugs.

An extra special thanks to Derivatives core team for invaluable guidance. 

My Enemy, My Brother is a 2015 Canadian documentary film about two war veterans who met twenty-five years later after the Iran–Iraq War in 1980s.  Ann Shin asked me to develop the look for the photo interstitials and title sequence